Since the car is such a frequent listening location for tunes, here are some "soundful thoughts about thoughtful sounds" (don't know if that really worked, but even the best wordsmiths have off days). Anyway, since the studio came into our lives, we sometimes listen to music much differently, with our "record producer mojo" working overtime in analytical frenzy. Consider these recent bits of under-the-dashboard ear candy:
David Gilmour, "On An Island"
Recorded in the plushest of studio settings, on Gilmour's luxury boat studio, this project's sonic mood is crystalline in its clarity, yet lush in its atmospheric textures. Simply put, it's just beautiful.
Blue Floyd, "Begins"
This just-released all-star project features 3 of our favorites, Marc Ford/guitar, Matt Abts/drums, and the late great Allen Woody/bass, among other luminaries. The tunes are mostly from several-years-old live performances, and its sonic mood is jammy live experimentation. You can just ease on down the road with this one, bobbing your head and swaying (but keep your eyes on the wheel).
Rolling Stones, "Beggars' Banquet"
From the first strains of track 1, the classic "Sympathy For The Devil", this project has a down-home feel to it, like Mick and the guys were on your back porch doin' it just for you.
Learning from more deeply examining "sonic moods" of numerous and diverse recordings brings an even better perspective on the importance of engineering, mixing, and mastering choices made in studio; in other words, the soundness of sound choices (hey, that was a little bit better, wasn't it?) . In future posts, we'll examine even more recordings with more sonic insights.
Feel free to share your own insights on the "sonic moods" of these and other projects...
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